Lifestream


I really love my job. Day 16 is a wrap. We used the brand new MAXIMA MX30 gimbal today. This gimbal is outstanding. It can also carry an ARRI Alexa, Red Epic or ARRI Amira without any problems. The guys from Foma Systems showed a unit w/ an Amira and a heavy ZEISS Compact Zoom. Heavy, but it stabilizes your shots perfectly. If you need a gimbal for the professional use you should check out the MAXIMA. Would love to show you footage, but I’m not allowed. You can watch it on german television early next year though. #setlife #featurefilm

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Data backup of the first feature film I DPd a couple of weeks ago. We shot the film on two ARRI Alexa cameras and one Sony A7s. File format of the ARRI cameras was ProRes 4444. For those who are interested: Our data wrangler saves the data on two drives on set. One of them is a G-Technology G-Raid Studio with Thunderbolt 2, which stays in my hotel room. The other one is delivered via overnight express to the post house in Munich, where the files on the shuttle drive are transfered to their server farm. After that they sent the shuttle drive back to Sweden. Before they have the shuttle drive I’m doing a quick pre grade of the stuff we shot on the day. After that I send the frame grabs to the colorist, who works in the post house in Munich. This is our workflow for the two feature films. #setlife #gtechnology

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