People of #Pi 43. Two cameras are sometimes a compromise, especially when you are shooting a wide shot and a medium shot at the same time. This scene was lit with a Dedo Panaura 5 from the top left, which itensifies the tungsten practical on the same direction. On the top right side I placed a hard tungsten backlight as a kicker. It was hard to place some fill in the room, because there are huge windows with reflections in the background. For the exterior we used a 12KW Dinolight, otherwise it would be pitch black. I’m not a fan of a “blue” moon, sometimes as a color contrast in the background, but most of the time I’m using tungsten lights for Night Shots and setting the camera to 2800K kelvin. It creates some kind of neutral steel blue look, which is very natural to the human eye. #featurefilm

People of #Pi 43. Two cameras are sometimes a compromise, especially when you are shooting a wide shot and a medium shot at the same time. This scene was lit with a Dedo Panaura 5 from the top left, which itensifies the tungsten practical on the same direction. On the top right side I placed a hard tungsten backlight as a kicker. It was hard to place some fill in the room, because there are huge windows with reflections in the background. For the exterior we used a 12KW Dinolight, otherwise it would be pitch black. I’m not a fan of a “blue” moon, sometimes as a color contrast in the background, but most of the time I’m using tungsten lights for Night Shots and setting the camera to 2800K kelvin. It creates some kind of neutral steel blue look, which is very natural to the human eye. #featurefilm